Electronically balanced XLR inputs and outputs.
Electronically balanced XLR inputs and outputs.
With dual headphone and dual CUE output connectors.
It has multiple exhaust fans on the rear panel.
The consoles may be linked to expand system capability.
Lots of Inputs and Busses
There are eight VCA (Voltage Controlled Amplifier) Master Faders which can be assigned to control any combination of input channels. In addition, there are 18 group mixing busses as well as two pair of stereo mixing busses, to which any of the input channels can be assigned. Each input channel may be assigned directly to any of the 18 group busses or two stereo busses. The stereo bus sends on each channel, may be switched individually to function as dual mono sends, for a total of 22 discrete audio mixing busses.
Flexible Bus Assignment
The master output section is arranged with 9 pair of Group Master faders. Each group mix has its own Group output. Each group can be assigned to either (or both) of the stereo masters. Input channel signals may be assigned directly to the stereo busses, or assignment can be made via any of the 18 Group Masters.
Versatile Input Gain Structure
Inputs are differentially balanced, and are equipped with a 30 dB attenuation PAD plus a continuously variable 50dB range GAIN trim control. Optional input transformers may be installed.
Meters for Every Channel and Bus
It is equipped with 22 illuminated VU meters.
VCA Groups for "Scene" Control
It is equipped with a VCA grouping system which is separate from the audio grouping. Eight "VCA Group" switches next to each channel fader enable that channel to be assigned so it is controlled by one or more of the VCA Master Faders.
Master and VCA Mute Functions
The Master Mute function facilitates scene changes and complex cues. Each input channel has eight Mute assign switches. These permit the channel's on/off function to be remotely controlled by the eight Master Mute switches.
Comprehensive Cueing With Switchable Modes
There is a Cue switch on every input channel and on the aux returns, and a Cue switch on every auxiliary send, the group outputs, the matrix outputs and the stereo master output. The Cue system has input priority. A Last Cue mode permits the operator to have the most recently selected bus cue cancel the bus cue that had been selected previously.
Talkback and Tone for Slating or Test
Talkback can be slated to any of the 18 group mixing busses, the two stereo mixing busses, and to a rear panel XLR TB output. The oscillator can be slated to the same busses as the talkback, and also has it own rear panel output connector.
Audio & Video
|Total Harmonic Distortion||(Group and Stereo Outputs) <0.1% (THD + N), 20 Hz @ + 14 dBu, 600 ohm, <0.1% (2nd - 10th harmonics), 20 Hz- 20 kHz @ +14 dBu, 600 ohm|
|Frequency Response||(Group and stereo Outputs) 0 +/- 1/3 dB, 20Hz -20 kHz @ +4 dBu, 600 ohm|
|Hum and Noise||(52 channels, 20 Hz - 20 kHz, Rs=150 ohm, Input Gain @ Max., Pad off, Sensitivity at -70 dB) -128 dB Equivalent Input Noise -100 dB Residual Output Noise -81 dB (85 dB S/N) Group Out Master fader at nominal level, all channel mix controls at min. -54 dB (58 dB S/N) Group Out Master fader and one channel mix control at nominal level -78 dB (82 dB S/N) Stereo Out Master fader at nominal level, all channel mix controls at minimum level|
|Crosstalk||-80 dB @ 1 kHz, -70 dB @ 10kHz, Adjacent inputs or input ot output|
|Maximum Voltage Gain||90 dB CH In to Group Out (Pre)/ Stereo Out (Pre/LVL) 87 dB CH In to ST Out (Pre/Pan) 100 dB CH In to Group Out (Post)/ ST Out (Post/ LVL) 97 dB CH In to ST Out (Post/Pan) 100dB CH In to ST Out (Pre/LVL) (Group to ST) 84 dB CH In to CH Direct Out 84 dB CH In to Cue Out (Input Cue) 64 dB TB In to TB Out 10 dB Sub In to Group Out/ST Out|
|Channel Equalization||+/- 15 dB max., each of 4 bands High 1k-20 kHz (shelving/peaking, Q= 0.5-3) Hi-Mid 0.4 k - 8 kHz (peaking, Q=0.5-3) Low-Mid 80 - 1.6 kHz (peaking, Q=0.5-3) Low 30-600 Hz (shelving/peaking, Q=0.5-3)|
|Channel High Pass Filter||12 dB/octave roll off below 20 -400 Hz @ -3 dB points|
|Oscillator/ Noise Generator||Sine wave @ 100, 1k, 10 kHz (frequency sweepable at x 0.2- 2.0 nominal) or pink noise; less than 1% THD at +4 dBu|
|CH Preamp and EQ Peak Indicators||Red LED builts into each input and stereo-in module; turns on when pre-EQ level or post-EQ level reaches 3 dB below clipping.|
|Channel LED Meter||6 LED level meter built into each input module|
|VU Meters||(0 VU=+4 dBu output) 18 dedicated illuminated meters for Group (1-10), Group (15-18), ST1L, ST1R, ST2 L, ST2 R; 4 switchable meters for Group 11/TB, Group 12/OSC, Group 13/CUE L, Group 14/Cue R.|
|VU Meter Peak Indicators||LED (red) built into each VU meter, the LED turns on when the pre-line amp level is 3 dB below clipping|
|Phantom Power||+48 V dc available at balanced inputs (via 6.8 k ohm current limiting/ isolation resistors) for powering condensor microphones; may be turned On or Off via rear-panel Phantom Master switch. When Master is On, individual channels may be turned Off or On via +48V switches on the mono input, stereo input and talkback modules.|
|Dimensions (W x H x D)||2086 x 346 x 1121 mm 82-1/8 x 13-5/8 x 44-1/8 inches|
|Weight (NET)||192 kg. 423.3 pounds|