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Staggered Diagonal Seam/Air Seal System
The heart of any drum is the shell, and Yamaha's method of hand–crafting shells produces the strongest, most consistent drums available. Yamaha drums feature a staggered diagonal seam to ensure a shell that starts round, and stays round and will not require any putty filler in the bearing edges to fill voids between the plies. The Air Seal System of clamping the plies in the mold provides the same pressure 360° around the shell to make sure the glue is evenly distributed. This is key to the consistency of Yamaha shells.
Yamaha Absolute Birch series shells are crafted using Hokkaido birch from Northern Japan. Hokkaido birch has a low fundamental tone with a strong presence of midrange overtones. Our birch drums have warmth, with a good “punch” and a sound that is naturally EQ'd to produce an organic, natural tone and long sustain.
YESS II mounting system
The new version of Yamaha's YESS mounting system anchors the mount at the top and bottom nodal point of the shell. The mounting bracket is attached to a metal plate, and this assembly is isolated from the shell using rubber grommets. By shock–mounting the shell in this manner, no vibration is able to escape the shell through the hardware. The lugs are placed at a point that filters out unwanted overtones. This system gives the Absolute series a bigger sound and a pure tone with more warmth and sustain.
Back by popular demand, the sleek, classic design of the original Absolute lug is now the standard lug in the Absolute series. This lug anchors to the shell at the nodal point using a single bolt, reducing the number of holes in the shell. The small size of the lug allows it to make very little contact with the shell, and reduces the amount of shell vibration that is dampened.
The number of, and placement of the vent hole plays an important role in the sound of a drum by affecting the attack, sustain, and tone. Through exhaustive research and testing of many prototypes, Yamaha has discovered the optimal number and placement of the vent hole in each drum. Snare drums and toms up to 12" have one hole, 13" toms have two, 14" and 16" toms have four, floor toms have six, 18" bass rums have eight, and bass drums from 20" to 24" have ten vent holes.
Bass drum spurs/floating bass drum system
The Absolute series bass drums have a heavier version of our classic spur that has been a favorite in the industry for years. The newer spurs are thicker for better stability under even the heaviest playing conditions. Our 18" bass drums include our floating bass drum lift that raises the batter side of the drum off the floor for a fuller sound, while eliminating the need to shorten the beater shaft to strike the center of the head.
Expanded bass drum selection
Bass drums are available with or without a mount installed at the factory. A 20" deep bass drum is now available in the 22" diameter drum. All bass drums come with matching wood hoops.
Drawing from our legendary pianos, Yamaha was the first company to use high–quality lacquer finishes on their drums. The Absolute series is available in 23 hand–finished lacquers and one wrap (White Marine Pearl). Each lacquer finish is sprayed, sanded, and buffed by hand to create a drum that looks as beautiful as it sounds. Six of the finishes (including the glow in the dark Luminous White Sparkle) were developed through hours of experimenting at our artist facility in the U.S. by our custom builder Daryl Anderson.
Audio & Video
|Absolute Birch Components|
|BAB-1814||18" x 14"|
|BAB-2016||20" x 16"|
|BAB-2018||20" x 18"|
|BAB-2018R||20" x 18" (no mount)|
|BAB-2216||22" x 16"|
|BAB-2218||20" x 18"|
|BAB-2218R||22" x 18" (no mount)|
|BAB-2220||22" x 20"|
|BAB-2220R||22" x 20" (no mount)|
|BAB-2416||24" x 16"|
|BAB-2418||24" x 18"|
|BAB-2418R||24" x 18" (no mount)|
|BAT-0807||8" x 7"|
|BAT-1007||10" x 7"|
|BAT-1008||10" x 8"|
|BAT-1208||12" x 8"|
|BAT-1209||12" x 9"|
|BAT-1309||13" x 9"|
|BAT-1310||13" x 10"|
|BAT-1411||14" x 11"|
|BAT-1412||14" x 12"|
|BAT-1613||16" x 13"|
|BAT-1614||16" x 14"|
|BFT-1413||14" x 13"|
|BFT-1615||16" x 15"|
|BFT-1816||18" x 16"|
|BAS-1460||14" x 6"|
|BAS-1470||14" x 7"|
The first models were produced at Yamaha's Niitsu factory in Hamamatsu, Japan, and later at our Miyatake factory as well. Many drummers who are familiar with Yamaha today believe that Sakae Rhythm was the original Yamaha production facility, but in fact production was started at Yamaha's own factories. Another common misconception is that our Air Seal System was developed at Sakae Rhythm, but it was actually developed and introduced right from the first models that were produced at our own factories. One of the earliest Yamaha drum brochures shows the original Yamaha production facility and describes Air Seal System technology, a Yamaha innovation that is a vital part of our identity as a drum manufacturer to this day.
Al Foster, who was touring Japan with the Miles Davis at the time, signed on to become a Yamaha endorser in 1972.
This was the turning point at which Yamaha drums began to be recognized as world-class instruments that satisfied the requirements of leading professionals in the field.
Shell mounting hardware had been different for each series and model up until this time. The system drum concept brought about the unification of all drum mounting hardware so that drums and hardware from any series could be mixed and combined as required.
Hexagonal rods and holder bases of the same specifications were used for all models, and the diameter of all stand hardware piping and holders was fixed at 22mm to allow total system fiexibility and freedom.
Although this approach is commonplace among today's drum manufacturers, it was a revolutionary concept at the time. Just one of Yamaha's many innovations that have become standards.
Another Yamaha hardware innovation worthy of mention is the hide-away boom stand. It was patented at the time, but as soon as the patent expired all of our competitors began copying our design. Today it has become another "standard" feature.
This continuously adjustable ball clamp made it possible to position toms up, down, left, or right, to any position required with one quick action. The current design allows toms to be flipped over for convenient bottom-head tuning ... a feature that is greatly appreciated by both drummers and drum technicians. Like the hexagonal mounting rod, the ball clamp has become a symbol of Yamaha hardware superiority.
This model featured 100% birch shells, one-piece lugs, and a gorgeous sprayed finish. Maple was the most popular material for drum shells at the time, following the trend set by jazz drums from the U.S.A. Through our own research related to pianos and wind instruments, we had realized that birch would be an ideal material for drum shells. We were also the first to apply piano finishing techniques to drums, eschewing the veneer covering that was common at the time. The full force of Yamaha technology was applied to the production of this landmark product.
The use of one-piece lugs to enhance the natural hardness of the birch shells resulted in a tight, well-defined sound that was enthusiastically adopted by many top artists of the day, including Steve Gadd and Cozy Powell. The sound was so well suited to recording that the YD9000 has become the most recorded drum set in history. The name was later changed to "Recording Custom," a model that is still widely used today.
Although there were concerns that a change from birch to maple shells might meet some resistance from users, Yamaha decided to introduce maple shells in order to accommodate changes in the music scene as well as evolving recording technology. From about the mid 80's, influenced by the emergence of fusion, drummers began demanding response and resonance that would suit the more elaborate phrasing used in that genre. Maple provided a bright, rapid response that was ideal, and by reducing the dimensions of parts that could dampen resonance as much as possible the natural shell resonance could come through with unrestricted tone. This led to the development of small, lightweight lugs, an extremely thin "vintage" finish, and the YESS (Yamaha Enhanced Sustain System) nodal mount for open, organic shell resonance.
The idea of using small lugs mounted so that they don't dampen shell resonance was quickly adopted by other manufacturers as well.
Throughout the 90's Yamaha maintained an active, aggressive approach to product development. The Stage Custom model introduced in 1996 was one result. This series offered the same type of birch shell that was being used in the popular RC series, with the same one-piece lugs and a beautiful sprayed finish, at a surprisingly affordable price.
The Maple Absolute series took the philosophy of achieving the richest possible shell resonance to the next level. In the same year new beech shells were introduced alongside the existing birch shells in the Absolute series.
At around this time Yamaha was collaborating with top-level artists from all around the world in developing a range of exciting new products such as the Hipgig and JR drum kits, the Musashi snare, and the Subkick low-frequency capture device.
Although other manufacturers had avoided using oak in drums because it is extremely difficult to work with, Yamaha succeeded in forming this very hard wood into drum shells using our Air Seal System technology. The result was impressive response and huge bass that has made this model a standard in the Yamaha lineup.
Pushing Yamaha finishing technology to the limit, a lineup of almost 50 colors was developed for the Absolute series. The revolutionary detachable Nouveau lugs were developed to further reduce shell damping while at the same time making head replacement easier than ever.
Years of drum manufacturing experience and accumulated technological know-how, plus in-depth reassessment of every critical aspect of drum design and production, all came together to bring about a profound evolution in the form of the hybrid shell: the key to delivering unprecedented tone and power. The lugs took another evolutionary leap too. Going beyond the concept of minimizing shell damping, lug design and mounting now plays an active role in creating and controlling the sound of the drums by suppressing unwanted harmonics. Tom mounting has advanced as well, resulting in unprecedented tone and consistent playability.
The YESS2 mount and new hook lugs developed for the PHX series have now been implemented in the Absolute series as well, contributing to even clearer, richer sound. A newly developed textured finish has been applied in the Rock Tour series, significantly enhancing visual impact. Kapur was discovered and used for its excellent tonal qualities in the PHX series drums and is now used as the sole tone wood for the sound of the Club Custom drums.
|Bass drums||18 x 14 BAB-1814 20 x 16 BAB-201622 x 16 BAB-221624 x 16 BAB-2416 20 x 18 BAB-201822 x 18 BAB-221824 x 18 BAB-2418 20 x 18 BAB-2018R (no mount)22 x 18 BAB-2218R (no mount)24 x 18 BAB-2418R (no mount) 22 x 20 BAB-2220 22 x 20 BAB-2220R (no mount)|
Size (diameter x depth)
|Toms||8 x 7 BAT-080710 x 7 BAT-100710 x 8 BAT-100812 x 8 BAT-120812 x 9 BAT-120913 x 9 BAT-130913 x 10 BAT-131014 x 11 BAT-141114 x 12 BAT-141216 x 13 BAT-161316 x 14 BAT-1614|
|Floor toms||14 x 13 BAF-141316 x 15 BAF-161518 x 16 BAF-1816|
Size (diameter x depth)
|Snare Drums||14 x 6 BAS-146014 x 7 BAS-1470|