The new Yamaha GigMaker set utilizes all Yamaha hardware featuring hex tom ball joints with five new eye-catching glitter wrap finishes. Unlike most drum sets at this price point, the GigMaker features matching wood bass drum hoops for superior tone and ...
The new Yamaha GigMaker set utilizes all Yamaha hardware featuring hex tom ball joints with five new eye-catching glitter wrap finishes. Unlike most drum sets at this price point, the GigMaker features matching wood bass drum hoops for superior tone and playability and both a 20" and 22" configuration. Available as a shell pack, with hardware, or packaged with Paiste 101 cymbals.
- Basswood and poplar shells
- Lowest formaldehyde content exceeds stringent global standards for adhesives
- Distinctive Yamaha tom ball mount
- Power-depth bass drum
- Universal-depth mounted toms
- Matching wood bass drum hoops
- Matching wood snare drum
- Yamaha double-braced hardware
- Two popular 5-piece configurations
- 20" bass drum, 10"/12" toms, 14" floor tom, 14" snare
- 22" bass drum, 12"/13" toms, 16" floor tom, 14" snare
- Available as shell packs, shells with hardware, and complete kit with cymbals
- Five fantastic finishes available: Black Glitter, Blue Ice Glitter, Burgundy Glitter, Silver Glitter, White Grape Glitter
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Yamaha GigMaker Drums
The first models were produced at Yamaha's Niitsu factory in Hamamatsu, Japan, and later at our Miyatake factory as well. Many drummers who are familiar with Yamaha today believe that Sakae Rhythm was the original Yamaha production facility, but in fact production was started at Yamaha's own factories. Another common misconception is that our Air Seal System was developed at Sakae Rhythm, but it was actually developed and introduced right from the first models that were produced at our own factories. One of the earliest Yamaha drum brochures shows the original Yamaha production facility and describes Air Seal System technology, a Yamaha innovation that is a vital part of our identity as a drum manufacturer to this day.
Al Foster, who was touring Japan with the Miles Davis at the time, signed on to become a Yamaha endorser in 1972.
This was the turning point at which Yamaha drums began to be recognized as world-class instruments that satisfied the requirements of leading professionals in the field.
Shell mounting hardware had been different for each series and model up until this time. The system drum concept brought about the unification of all drum mounting hardware so that drums and hardware from any series could be mixed and combined as required.
Hexagonal rods and holder bases of the same specifications were used for all models, and the diameter of all stand hardware piping and holders was fixed at 22mm to allow total system fiexibility and freedom.
Although this approach is commonplace among today's drum manufacturers, it was a revolutionary concept at the time. Just one of Yamaha's many innovations that have become standards.
Another Yamaha hardware innovation worthy of mention is the hide-away boom stand. It was patented at the time, but as soon as the patent expired all of our competitors began copying our design. Today it has become another "standard" feature.
This continuously adjustable ball clamp made it possible to position toms up, down, left, or right, to any position required with one quick action. The current design allows toms to be flipped over for convenient bottom-head tuning ... a feature that is greatly appreciated by both drummers and drum technicians. Like the hexagonal mounting rod, the ball clamp has become a symbol of Yamaha hardware superiority.
This model featured 100% birch shells, one-piece lugs, and a gorgeous sprayed finish. Maple was the most popular material for drum shells at the time, following the trend set by jazz drums from the U.S.A. Through our own research related to pianos and wind instruments, we had realized that birch would be an ideal material for drum shells. We were also the first to apply piano finishing techniques to drums, eschewing the veneer covering that was common at the time. The full force of Yamaha technology was applied to the production of this landmark product.
The use of one-piece lugs to enhance the natural hardness of the birch shells resulted in a tight, well-defined sound that was enthusiastically adopted by many top artists of the day, including Steve Gadd and Cozy Powell. The sound was so well suited to recording that the YD9000 has become the most recorded drum set in history. The name was later changed to "Recording Custom," a model that is still widely used today.
Although there were concerns that a change from birch to maple shells might meet some resistance from users, Yamaha decided to introduce maple shells in order to accommodate changes in the music scene as well as evolving recording technology. From about the mid 80's, influenced by the emergence of fusion, drummers began demanding response and resonance that would suit the more elaborate phrasing used in that genre. Maple provided a bright, rapid response that was ideal, and by reducing the dimensions of parts that could dampen resonance as much as possible the natural shell resonance could come through with unrestricted tone. This led to the development of small, lightweight lugs, an extremely thin "vintage" finish, and the YESS (Yamaha Enhanced Sustain System) nodal mount for open, organic shell resonance.
The idea of using small lugs mounted so that they don't dampen shell resonance was quickly adopted by other manufacturers as well.
Throughout the 90's Yamaha maintained an active, aggressive approach to product development. The Stage Custom model introduced in 1996 was one result. This series offered the same type of birch shell that was being used in the popular RC series, with the same one-piece lugs and a beautiful sprayed finish, at a surprisingly affordable price.
The Maple Absolute series took the philosophy of achieving the richest possible shell resonance to the next level. In the same year new beech shells were introduced alongside the existing birch shells in the Absolute series.
At around this time Yamaha was collaborating with top-level artists from all around the world in developing a range of exciting new products such as the Hipgig and JR drum kits, the Musashi snare, and the Subkick low-frequency capture device.
Although other manufacturers had avoided using oak in drums because it is extremely difficult to work with, Yamaha succeeded in forming this very hard wood into drum shells using our Air Seal System technology. The result was impressive response and huge bass that has made this model a standard in the Yamaha lineup.
Pushing Yamaha finishing technology to the limit, a lineup of almost 50 colors was developed for the Absolute series. The revolutionary detachable Nouveau lugs were developed to further reduce shell damping while at the same time making head replacement easier than ever.
Years of drum manufacturing experience and accumulated technological know-how, plus in-depth reassessment of every critical aspect of drum design and production, all came together to bring about a profound evolution in the form of the hybrid shell: the key to delivering unprecedented tone and power. The lugs took another evolutionary leap too. Going beyond the concept of minimizing shell damping, lug design and mounting now plays an active role in creating and controlling the sound of the drums by suppressing unwanted harmonics. Tom mounting has advanced as well, resulting in unprecedented tone and consistent playability.
The YESS2 mount and new hook lugs developed for the PHX series have now been implemented in the Absolute series as well, contributing to even clearer, richer sound. A newly developed textured finish has been applied in the Rock Tour series, significantly enhancing visual impact. Kapur was discovered and used for its excellent tonal qualities in the PHX series drums and is now used as the sole tone wood for the sound of the Club Custom drums.
Size (diameter x depth)
|Bass Drums||GM2F50: 22"x16" GM0F50: 20"x16" GM2F56: 22"x16" GM0F56: 20"x16" GM2F56P1: 22"x16" GM0F56P1: 20"x16"|
|Floor Tom||GM2F50: 16"x16" GM0F50: 14"x14" GM2F56: 16"x16" GM0F56: 14"x14" GM2F56P1: 16"x16" GM0F56P1: 14"x14"|
|Mounted Tom||GM2F50: 13"x9.5", 12"x9" GM0F50: 10"x8", 12"x9" GM2F56: 13"x9.5", 12"x9" GM0F56: 10"x8", 12"x9" GM2F56P1: 13"x9.5", 12"x9" GM0F56P1: 10"x8", 12"x9"|
|Snare Drum||GM2F50: 14"x5.5" GM0F50: 14"x5.5" GM2F56: 14"x5.5" GM0F56: 14"x5.5" GM2F56P1: 14"x5.5" GM0F56P1: 14"x5.5"|
|Hardware||GM2F50: Tom Mount GM0F50: Tom Mount GM2F56: CS-651WA, SS-650WA, HS-650WA, FP-6110A GM0F56: CS-651WA, SS-650WA, HS-650WA, FP-6110A GM2F56P1: CS-665A, CS-651WA, SS-650WA, HS-650WA, FP-6110A, 14" hi-hats, 16" crash, 20" ride GM0F56P1: CS-665A, CS-651WA, SS-650WA, HS-650WA, FP-6110A, 14" hi-hats, 16" crash, 20" ride|
Reviewed by 1 customer
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- Great Sound
- Great Value
- Wrap Finish
- Practice kit
- School Bands
Comments about Yamaha gig_maker_drum_set_white_grape_glitter:
This is an entry level set, but it is far from beginner sound and performance. I took the kit out of the boxes, immediately put new Aquarian heads on the entire kit and they tuned up easy and sound phenomenal!! My initial intent was to use this as a practice kit and it quickly became my "go to" gigging kit!!