Guitar Player Magazine "Picks" the AES620
![]() Classic shapes usually become classics for good reason-they're striking, they're functional, and they typically enjoy a vampire's lifespan of coolness. Small wonder, then, that a fair number of guitarists are often reluctant to surrender the comforts of vintage propriety for a Frank Gehry-style revolt against conventional architecture. To seduce the retro eye, a new guitar must strongly evoke the past without actually Xeroxing it, and that is a pursuit that unleashes many devils in the design details. And yet Yamaha, with its usual quiet sophistication, has recast one of guitardom's venerable profiles to craft an exquisitely modern twist on the single-cutaway, dualhumbucker theme. The new AES620 ($499 street) isn't vastly re-engineered on a Gehry level, but its beveled cutaway and radically contoured top (which was inspired by a desire to update the design profile of Yamaha's AES500 and AES800 guitars) make for a stunning visage that telegraphs something different is afoot. Other cool features include recessed chrome knobs, a clever "mid-rump" input jack (at the guitar's base; directly in line with the neck), two bottom strap buttons (for quick and ![]() |
Workmanship |
The Korean-made AES620 displays no finish or construction flaws. Even the crankiest judge at an international dog show wouldn't be able to knock off points for this model. In fact, it seems that substantial effort has been made to beautify every appointment. The tiny abalone fretboard dots, for example, appear as if they have been carefully selected to display interesting patterns and splashes of color. In addition, the bookmatched maple-veneer top shows off such a glorious flame pattern that you'd almost expect it was personally chosen for you from a number of less-satisfying options. The exposed wood "binding" is equally superb, and all hardware is gig-tough and firmly attached. |
Playability |
A chunky, vintage-style set neck and polished, finely rounded frets collaborate to offer a comfy playing feel that inspires heavy chording, aggressive riffing, and rapid-fire soloing with equal confidence. This is another one of those guitars that simply invites bliss from the moment you pick it up. The only ergonomic snag is that those polished knobs are slippery, which makes on-the-fly adjustments difficult. |
Sounds |
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Originally printed in May 2003 issue of Guitar Player. Reprinted with the permission of the Publishers of Guitar Player. Copyright 2003 United Entertainment Media, Inc., a CMP Information company. All rights reserved. Guitar Player is a Music Player Network publication, 2800 Campus Dr., San Mateo, CA 94403 (650) 513-4300. Subscribe at www.musicplayer.com.
NOVEMBER 2003 GUITAR PLAYER 147 |