About Yamaha Ateliers

Co-creation hubs for artists and Yamaha

The word “atelier” means “workshop” in French. Yamaha Ateliers have been established as hubs for the research and development of brass and woodwind instruments. They actively pursue the creation of instruments that enhance the originality of professional artists by communicating with these pro artists to create the ideal sounds.

Yamaha Atelier Activities

Exploration with artists

The expert technicians at Ateliers listen to our artists for development. In the areas of tone, playability and touch, artists’ high expectations towards their instruments continue to be met.

For example, when considering tone, the number of combinations is staggering when realizing that the same instrument can sound completely different depending on the player. Then there are differences in how the instrument is structured, such as the wood and metal parts, or slight differences in shape. There is no end to research when it comes to improving musical instruments through conversing with artists.

Technique that supports our research and development

A particularly important part of the development process is understanding what the artists want and reflecting those needs in the instrument. The Ateliers offer a deep understanding of musical instruments as well as technical skill in adjustments and repair, and our technicians who are always on hand have the knowledge and technical expertise of parts manufacturing and modification, with the necessary equipment for any work to be done. These technicians bridge the gap between the performers and musical instruments, and their activities help brass and woodwind instruments to evolve.

Yamaha Atelier History

The beginning of the Yamaha Atelier goes back to 1977, when Atelier Tokyo was established in Ginza. At that time, in addition to the mass production of instruments, there was a need for a permanent hub in Tokyo, where many artists visit. This facility had to be flexible to the everyday development and adjustment-related needs of the performers that the Hamamatsu center could not cover. Kenzo Kawasaki, the staff member who was involved in the development of Xeno trumpets, took the position as the first department manager and led the efforts in working with artists from within and outside of Japan. Since then, the Yamaha Atelier has expanded to various locations including Hamburg and New York and strives to work in closer cooperation with artists from around the world.